1. In this film, Yorgos looks up to a male character on TV from a past era as he attempts to rediscover himself. What does the choice of Humphrey Bogart as Yorgos' idol suggest about the representation of successful men in the media?
2. By adopting the persona of Humphrey, a conventionally desirable guy yet fictional thus practically unattainable, Yorgos ends up pushing his girlfriend away and alienating himself from what he once had. Does this perhaps imply a lack of meaning or personal direction that many young men feel in today's society?
3. What does this film suggest about the connection of financial stability with existential one? (Yorgos thinks that spending money to look successful or having material goods will make him happier)